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Impact Unit
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Real
University Staff April 2004
Rest in Peace Brother Homer Avila 1955 - 2004 Homer Avila died last evening (Sunday April 25 th)
at Memorial Sloan-Kettering. The cancer that cost him his hip and leg
had metastasized and reached his lungs. He was dancing until Friday, checked himself into the hospital late Saturday night, and was gone by twilight Sunday. To his colleagues in the Pentacle Help Desk and across North America and Europe, he was courage itself. An irrelevancy like a missing leg could not stop him from dancing. It gave his own choreography an exemplary urgency and authenticity, and it inspired fine work by such collaborators as Vicky Marks, Alonzo King and Dana Casperson. He never stood still. I think he sensed that if he did, that would be it. He knew Sunday that his breath had run out, and he had time to say some good-byes. Friends and admirers can pay their respects Thursday afternoon, April
29 Click
here for additional information about Mr.
Avila. Hi Folks, I would like to invite you to two upcoming performances: 1. Monday April 5, 2004 @ 6:00 - 7:00pm FIELD OF SHADOWS In FIELD of SHADOWS, Edisa Weeks' movement and shadow are projected onto a screen. The light, dense, elusive, and tangible textures of her shadow are then manipulated through a computer interface developed by Liubo Borissov, endowing the shadow with a life independent of its creator. The music for FIELD of SHADOWS, performed live by John Savage (didjeridoo & flute), Owen Malloy (tuba) and Matt Shulman (trumpet), both captivates and reflects the shadow's emanations, at times reacting and transforming the shadow's movements into sound, and at other times sonically dictating the shadow's movements through spontaneous composition. Edisa, Luibo, John, Matt and Owen, are Alberto Vilar Fellows at New York
University.
7 dances created through Kay Cummings Directing and Choreography class including: One For One One for One addresses the genocide that occurred in Rwanda in 1994, where one million Tutsis and Hutu moderates were killed by Hutu extremists. The irony of the situation is that there are little ethnic distinctions between the Hutus and the Tutsi. They speak the same language, they practice the same religion, and prior to the genocide, they had frequently intermarried. In this piece we are interested in exploring peopleâ€s potential for violence and how that potential lies just beneath the surface in many of us. What causes a person to turn against their neighbor? How does a person make the choice to live knowing that thousands of others will die as a result? In Rwanda the Tutsis were called inyenzi, cockroaches. The choice of metaphor is telling because in order to get rid of a cockroach infestation, you must kill all of them. Leave just a few, and the infestation will return. Since many of us have squished, squashed and splatted cockroaches, this metaphor became our springboard into the piece. Hope to see you at a performance. February 2004
Time to Support that which Supports You: A New Tim Reid Movie- "Asunder" The man that knows something Knows that he knows nothing at all -E.Badu FYI...A new film by Tim Reid (Produced Film "Once upon a Time when we were Colored") is coming to selected theaters. The movie is called Asunder and stars Blair Underwood and Michael Beach (Waiting to Exhale & Soul Food). Help make this work. Please send this to as many people as possible so This is the first movie in 55 years written, directed, and produced by Tim Reid (WKRP in Cincinnati, Venus Flytrap, Simon and Simon, Frank's Well known names have talked about blacks owning and distributing their If we do not support the project during its 1st week the big box office Support the effort! PASS IT ON!
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